How To Make A Color Wheel In Photoshop

Photoshop User Guide
Introduction to Photoshop
1. Dream it. Brand it.
2. What'southward new in Photoshop
3. Edit your commencement photo
4. Create documents
5. Photoshop | Common Questions
6. Photoshop system requirements
7. Migrate presets, deportment, and settings
8. Get to know Photoshop
Photoshop and Adobe services
1. Photoshop and Adobe Stock
2. Creative Cloud Libraries
3. Creative Cloud Libraries in Photoshop
4. Utilise the Touch Bar with Photoshop
5. Work with Illustrator artwork in Photoshop
6. Employ the Capture in-app extension in Photoshop
7. Filigree and guides
8. Creating actions
9. Undo and history
10. Default keyboard shortcuts
11. Affect capabilities and customizable workspaces
Photoshop on the iPad
1. Photoshop on the iPad | Common questions
2. Get to know the workspace
3. Arrangement requirements | Photoshop on the iPad
4. Create, open, and export documents
5. Add together photos
6. Work with layers
7. Draw and paint with brushes
8. Make selections and add together masks
9. Retouch your composites
10. Work with adjustment layers
11. Adapt the tonality of your composite with Curves
12. Apply transform operations
13. Ingather and rotate your composites
14. Rotate, pan, zoom, and reset the canvass
15. Piece of work with Type layers
16. Work with Photoshop and Lightroom
17. Become missing fonts in Photoshop on the iPad
18. Japanese Text in Photoshop on the iPad
19. Manage app settings
20. Touch shortcuts and gestures
21. Keyboard shortcuts
22. Edit your image size
23. Livestream as you lot create in Photoshop on the iPad
24. Right imperfections with the Healing Brush
25. Create brushes in Capture and use them in Photoshop
26. Work with Camera Raw files
27. Create and work with Smart Objects
28. Suit exposure in your images with Dodge and Burn
Photoshop on the web beta
1. Common questions | Photoshop on the spider web beta
2. Introduction to the workspace
3. Organisation requirements | Photoshop on the web beta
4. Keyboard shortcuts | Photoshop on the spider web beta
5. Supported file types | Photoshop on the web beta
6. Open and work with cloud documents
7. Collaborate with stakeholders
8. Apply express edits to your cloud documents
Deject documents
1. Photoshop cloud documents | Mutual questions
2. Photoshop cloud documents | Workflow questions
3. Manage and work with cloud documents in Photoshop
4. Upgrade cloud storage for Photoshop
5. Unable to create or save a cloud document
6. Solve Photoshop cloud document errors
7. Collect cloud document sync logs
8. Share access and edit your cloud documents
9. Share files and annotate in-app
Workspace
1. Workspace basics
2. Create documents
3. Use the Touch Bar with Photoshop
4. Microsoft Punch support in Photoshop
5. Tool galleries
6. Functioning preferences
7. Use tools
8. Touch on gestures
9. Impact capabilities and customizable workspaces
10. Technology previews
11. Metadata and notes
12. Quickly share your creations
13. Place Photoshop images in other applications
14. Preferences
15. Default keyboard shortcuts
16. Rulers
17. Show or hibernate non-printing Extras
18. Specify columns for an epitome
19. Undo and history
20. Panels and menus
21. Place files
22. Position elements with snapping
23. Position with the Ruler tool
24. Presets
25. Customize keyboard shortcuts
26. Grid and guides
Web, screen, and app design
1. Photoshop for blueprint
2. Artboards
3. Device Preview
4. Re-create CSS from layers
5. Piece web pages
6. HTML options for slices
7. Modify slice layout
8. Work with spider web graphics
9. Create web photo galleries
Image and color basics
1. How to resize images
2. Piece of work with raster and vector images
3. Paradigm size and resolution
4. Learn images from cameras and scanners
5. Create, open, and import images
6. View images
7. Invalid JPEG Marker mistake | Opening images
8. Viewing multiple images
9. Customize color pickers and swatches
10. High dynamic range images
11. Lucifer colors in your image
12. Catechumen betwixt colour modes
13. Color modes
14. Erase parts of an paradigm
15. Blending modes
16. Choose colors
17. Customize indexed color tables
18. Image data
19. Distort filters are unavailable
20. Nearly color
21. Color and monochrome adjustments using channels
22. Choose colors in the Color and Swatches panels
23. Sample
24. Color mode or Image way
25. Color bandage
26. Add together a conditional way change to an action
27. Add swatches from HTML CSS and SVG
28. Bit depth and preferences
Layers
1. Layer basics
2. Nondestructive editing
3. Create and manage layers and groups
4. Select, grouping, and link layers
5. Identify images into frames
6. Layer opacity and blending
7. Mask layers
8. Apply Smart Filters
9. Layer comps
10. Motility, stack, and lock layers
11. Mask layers with vector masks
12. Manage layers and groups
13. Layer furnishings and styles
14. Edit layer masks
15. Extract assets
16. Reveal layers with clipping masks
17. Generate image assets from layers
18. Piece of work with Smart Objects
19. Blending modes
20. Combine multiple images into a group portrait
21. Combine images with Motorcar-Blend Layers
22. Align and distribute layers
23. Copy CSS from layers
24. Load selections from a layer or layer mask'due south boundaries
25. Knockout to reveal content from other layers
26. Layer
27. Flattening
28. Composite
29. Groundwork
Selections
1. Select and Mask workspace
2. Make quick selections
3. Get started with selections
4. Select with the marquee tools
5. Select with the lasso tools
6. Select a color range in an prototype
7. Adjust pixel selections
8. Convert between paths and selection borders
9. Channel basics
10. Move, copy, and delete selected pixels
11. Create a temporary quick mask
12. Save selections and alpha channel masks
13. Select the image areas in focus
14. Indistinguishable, split, and merge channels
15. Channel calculations
16. Selection
17. Bounding box
Image adjustments
1. Perspective warp
2. Reduce camera shake blurring
3. Healing brush examples
4. Consign color lookup tables
5. Adjust prototype sharpness and blur
6. Understand colour adjustments
7. Apply a Effulgence/Dissimilarity adjustment
8. Adjust shadow and highlight item
9. Levels adjustment
10. Adjust hue and saturation
11. Conform vibrance
12. Suit color saturation in image areas
13. Make quick tonal adjustments
14. Apply special color furnishings to images
15. Enhance your epitome with color balance adjustments
16. High dynamic range images
17. View histograms and pixel values
18. Lucifer colors in your image
19. How to ingather and straighten photos
20. Convert a colour image to black and white
21. Adjustment and make full layers
22. Curves adjustment
23. Blending modes
24. Target images for press
25. Suit color and tone with Levels and Curves eyedroppers
26. Adapt HDR exposure and toning
27. Filter
28. Blur
29. Dodge or burn image areas
30. Make selective colour adjustments
31. Replace object colors
Adobe Camera Raw
1. Camera Raw system requirements
2. What'southward new in Camera Raw
3. Introduction to Photographic camera Raw
4. Create panoramas
5. Supported lenses
6. Vignette, grain, and dehaze furnishings in Camera Raw
7. Default keyboard shortcuts
8. Automatic perspective correction in Camera Raw
9. How to make non-destructive edits in Camera Raw
10. Radial Filter in Camera Raw
11. Manage Camera Raw settings
12. Open, process, and save images in Camera Raw
13. Repair images with the Enhanced Spot Removal tool in Camera Raw
14. Rotate, ingather, and adjust images
15. Adjust color rendering in Camera Raw
16. Feature summary | Adobe Camera Raw | 2018 releases
17. New features summary
18. Process versions in Photographic camera Raw
19. Make local adjustments in Camera Raw
Image repair and restoration
1. Remove objects from your photos with Content-Enlightened Fill up
2. Content-Aware Patch and Move
3. Retouch and repair photos
4. Right prototype distortion and noise
5. Basic troubleshooting steps to fix almost issues
Image transformations
1. Transform objects
2. Adjust crop, rotation, and canvas size
3. How to crop and straighten photos
4. Create and edit panoramic images
5. Warp images, shapes, and paths
6. Vanishing Point
7. Apply the Liquify filter
8. Content-enlightened scaling
9. Transform images, shapes, and paths
10. Warp
11. Transform
12. Panorama
Drawing and painting
1. Pigment symmetrical patterns
2. Depict rectangles and alter stroke options
3. Nearly drawing
4. Draw and edit shapes
5. Painting tools
6. Create and modify brushes
7. Blending modes
8. Add color to paths
9. Edit paths
10. Pigment with the Mixer Brush
11. Brush presets
12. Gradients
13. Gradient interpolation
14. Fill and stroke selections, layers, and paths
15. Depict with the Pen tools
16. Create patterns
17. Generate a pattern using the Pattern Maker
18. Manage paths
19. Manage pattern libraries and presets
20. Describe or pigment with a graphics tablet
21. Create textured brushes
22. Add together dynamic elements to brushes
23. Gradient
24. Pigment stylized strokes with the Art History Brush
25. Paint with a pattern
26. Sync presets on multiple devices
Text
1. Work with OpenType SVG fonts
2. Format characters
3. Format paragraphs
4. How to create type furnishings
5. Edit text
6. Line and character spacing
7. Arabic and Hebrew type
8. Fonts
9. Troubleshoot fonts
10. Asian type
11. Create type
12. Text Engine error using Type tool in Photoshop | Windows 8
13. World-Ready composer for Asian Scripts
14. How to add and edit the text in Photoshop
Video and animation
1. Video editing in Photoshop
2. Edit video and blitheness layers
3. Video and animation overview
4. Preview video and animations
5. Paint frames in video layers
6. Import video files and prototype sequences
7. Create frame animations
8. Creative Cloud 3D Animation (Preview)
9. Create timeline animations
10. Create images for video
Filters and effects
1. Use the Liquify filter
2. Use the Blur Gallery
3. Filter basics
4. Filter effects reference
5. Add together Lighting Effects
6. Employ the Adaptive Wide Angle filter
7. Utilise the Oil Paint filter
8. Layer effects and styles
9. Apply specific filters
10. Smudge image areas
Saving and exporting
1. Salve your files in Photoshop
2. Consign your files in Photoshop
3. Supported file formats
4. Save files in graphics formats
5. Move designs betwixt Photoshop and Illustrator
6. Save and export video and animations
7. Save PDF files
8. Digimarc copyright protection
Printing
1. Print 3D objects
2. Print from Photoshop
3. Print with color management
4. Contact Sheets and PDF Presentations
5. Print photos in a picture packet layout
6. Impress spot colors
7. Duotones
8. Impress images to a commercial press press
9. Improve colour prints from Photoshop
10. Troubleshoot printing issues | Photoshop
Automation
1. Creating actions
2. Create data-driven graphics
3. Scripting
4. Procedure a batch of files
5. Play and manage deportment
6. Add together conditional actions
7. About actions and the Deportment panel
8. Record tools in actions
9. Add a conditional mode change to an action
10. Photoshop UI toolkit for plug-ins and scripts
Color Direction
1. Understanding color management
2. Keeping colors consistent
3. Color settings
4. Piece of work with color profiles
5. Color-managing documents for online viewing
6. Color-managing documents when printing
7. Color-managing imported images
8. Proofing colors
Content authenticity
1. Learn most content credentials
2. Identity and provenance for NFTs
3. Connect accounts for creative attribution
3D and technical imaging
1. Photoshop 3D | Common questions effectually discontinued 3D features
2. Creative Cloud 3D Animation (Preview)
3. Print 3D objects
4. 3D painting
5. 3D console enhancements | Photoshop
6. Essential 3D concepts and tools
7. 3D rendering and saving
8. Create 3D objects and animations
9. Prototype stacks
10. 3D workflow
11. Measurement
12. DICOM files
13. Photoshop and MATLAB
14. Count objects in an image
15. Combine and catechumen 3D objects
16. 3D texture editing
17. Adjust HDR exposure and toning
18. 3D panel settings

Hereafter changes to the Pantone Color Libraries

Pantone is updating their support for Colour Libraries that are pre-loaded in Adobe Photoshop, Illustrator, InDesign and Adobe Color. Together, Adobe and Pantone are working to provide users with timely information for a smooth transition towards a revised Pantone colour workflow in the coming months. Please stay tuned for updates.

Near foreground and groundwork colors

Photoshop uses the foreground color to paint, fill, and stroke selections and the background color to make gradient fills and fill up in the erased areas of an prototype. The foreground and background colors are also used by some special effects filters.

You lot tin can designate a new foreground or background colour using the Eyedropper tool, the Colour console, the Swatches panel, or the Adobe Colour Picker.

The default foreground color is black, and the default background colour is white. (In an blastoff channel, the default foreground is white, and the background is black.)

Video Tip | Make a shortcut for the Colour Picker

The current foreground color appears in the upper color selection box in the toolbox; the current background color appears in the lower box.

Foreground and background color boxes in toolbox — Foreground and background colour boxes in toolbox

A. Default Colors iconB. Switch Colors iconC. Foreground color boxD. Groundwork color box

To change the foreground color, click the upper color selection box in the toolbox, and so choose a color in the Adobe Color Picker.
To alter the background color, click the lower color selection box in the toolbox, and and then choose a color in the Adobe Color Picker.
To reverse the foreground and background colors, click the Switch Colors icon in the toolbox.
To restore the default foreground and background colors, click the Default Colors icon in the toolbox.

The Eyedropper tool samples color to designate a new foreground or groundwork color. You can sample from the active image or from anywhere else on the screen.

Select the Eyedropper tool .

In the options bar, change the sample size of the eyedropper by choosing an pick from the Sample Size menu:

Point Sample

Reads the precise value of the pixel you click.

3 past 3 Average, five by five Average, 11 by 11 Average, 31 past 31 Boilerplate, 51 by 51 Average, 101 by 101 Average

Reads the average value of the specified number of pixels within the surface area y'all click.

Photoshop Eyedropper tool — Selecting a foreground color with the Eyedropper tool

Choose one of the post-obit from the Sample menu:

All Layers

Samples color from all layers in the document.

Electric current Layer

Samples color from the currently active layer.

To circle the Eyedropper tool with a ring that previews the sampled color above the current foreground color, select Show Sampling Ring. (This option requires OpenGL. See Enable OpenGL and optimize GPU settings.)

To select a new foreground color, click in the image. Alternatively, position the pointer over the prototype, press the mouse button, and drag anywhere on the screen. The foreground color choice box changes dynamically as you drag. Release the mouse button to pick the new color.
To select a new background color, Alt-click (Windows) or Option-click (Mac Os) in the epitome. Alternatively, position the pointer over the image, press Alt (Windows) or Options (Mac OS), press the mouse push button, and drag anywhere on the screen. The background color selection box changes dynamically as you elevate. Release the mouse push to option the new color.

To use the Eyedropper tool temporarily to select a foreground color while using any painting tool, agree down Alt (Windows) or Option (Mac OS).

Adobe Color Picker overview

In the Adobe Color Picker, you choose colors using iv colour models: HSB, RGB, Lab, and CMYK. Employ the Adobe Color Picker to set the foreground color, background color, and text color. Y'all can too set target colors for unlike tools, commands, and options.

Yous can configure the Adobe Color Picker to let you cull simply colors that are part of the spider web-prophylactic palette or choose from specific color systems. You tin can as well access an HDR (high dynamic range) picker to choose colors for utilise in HDR images.

The Color field in the Adobe Color Picker displays colour components in HSB colour fashion, RGB color style, and Lab color mode. If you lot know the numeric value of the color you desire, you can enter it into the text fields. You can besides use the colour slider and the color field to preview a color to choose. As you adjust the color using the colour field and color slider, the numeric values are adapted appropriately. The color box to the correct of the color slider displays the adjusted color in the top section and the original color in the bottom department. Alerts appear if the color is not a web-safe color or is out of gamut for printing (not-printable).

Photoshop Color Picker — Adobe Color Picker

A. Picked colorB. Original colorC. Adapted colorD. Out-of-gamut alert iconE. Alert icon for color that is not web-safeF. Displays but web-safe colorsG. Colour fieldH. Color sliderI. Color values

When you select a color in the Adobe Colour Picker, information technology simultaneously displays the numeric values for HSB, RGB, Lab, CMYK, and hexadecimal numbers. This is useful for viewing how the different color models describe a color.

Although Photoshop uses the Adobe Color Picker by default, you tin use a different color picker than the Adobe Color Picker by setting a preference. For example, you lot tin can utilize the built-in color picker of your computer'southward operating system or a 3rd-party plug-in colour picker.

Display the Color Picker

In the toolbox, click the foreground or groundwork color pick box.
In the Colour panel, click the Set Foreground Color or Set Background Color option box.
The Colour Picker is also bachelor when features let you choose a color. For example, by clicking the color swatch in the options bar for some tools, or the eyedroppers in some color adjustment dialog boxes.

Cull a color with the Adobe Color Picker

You lot can choose a colour by inbound color component values in HSB, RGB, and Lab text boxes, or by using the colour slider and the color field.

To choose a colour with the color slider and colour field, click in the color slider or move the color slider triangle to set one color component. So move the circular marker or click in the color field. This sets the other two colour components.

As you adjust the color using the color field and color slider, the numeric values for the different colour models arrange appropriately. The rectangle to the right of the color slider displays the new color in the top one-half and the original color in the bottom. Alerts appear if the color is not a web-prophylactic color or is out of gamut.

You tin can choose a color outside the Adobe Colour Picker window. Moving the pointer over the document window changes information technology to the Eyedropper tool. Yous can so select a color by clicking in the epitome. The selected color is displayed in the Adobe Color Picker. You can motility the Eyedropper tool anywhere on your desktop by clicking in the paradigm and then holding down the mouse push. You lot tin can select a color by releasing the mouse button.

Choose a color using the HSB model

Using the HSB colour model, the hue is specified in the color field, as an bending from 0° to 360° that corresponds to a location on the color wheel. Saturation and brightness are specified as percentages. In the color field, the hue saturation increases from left to right and the brightness increases from the bottom to top.

In the Adobe Color Picker, select the H option and so enter a numeric value in the H text box or select a hue in the colour slider.

Arrange the saturation and effulgence by clicking in the colour field, moving the round maker, or inbound numeric values in the S and B text boxes.

(Optional) Select either the Southward option or B option to brandish the color'south saturation or brightness in the colour field for making farther adjustments.

Choose a color using the RGB model

Cull a colour by specifying its red, green, and blue components.

In the Adobe Color Picker, enter numeric values in the R, G, and B text boxes. Specify component values from 0 to 255 (0 is no color, and 255 is the pure colour).

To visually select a color using the color slider and color field, click either R, G, or B then adjust the slider and color field.

The color you click appears in the colour slider with 0 (none of that colour) at the bottom and 255 (maximum amount of that color) at the top. The color field displays the range of the other two components, one on the horizontal centrality and one on the vertical axis.

Choose a color using the Lab model

When choosing a color based on the Lab color model, the 50 value specifies the luminance of a color. The A value specifies how ruddy or green a color is. The B value specifies how bluish or yellow a color is.

In the Adobe Color Picker, enter values for L (from 0 to 100), and for A and B (from ‑128 to +127).

(Optional) Use the colour slider or color field to adjust the colour.

Choose a color using the CMYK model

Y'all tin choose a color by specifying each component value as a percent of cyan, magenta, yellow, and black.

In the Adobe Color Picker, enter percentage values for C, 1000, Y, and Chiliad, or employ the colour slider and color field to choose a colour.

Choose a color by specifying a hexadecimal value

You can choose a color by specifying a hexadecimal value that defines the R, Grand, and B components in a color. The 3 pairs of numbers are expressed in values from 00 (minimum luminance) to ff (maximum luminance). For example, 000000 is black, ffffff is white, and ff0000 is red.

In the Adobe Color Picker, enter a hexadecimal value in the # text box.

Choose a color while painting

The heads-upwards-display (HUD) color picker lets you apace choose colors while painting in the document window, where paradigm colors provide helpful context.

Choose the type of HUD color picker

Choose Edit > Preferences > General (Windows) or Photoshop > Preferences > General (Mac Os).

From the HUD Color Picker menu, choose Hue Strip to display a vertical picker or Hue Wheel to display a circular one.

Cull a colour from the HUD color picker

Press Shift + Alt + right-click (Windows) or Control + Option + Command (Mac OS).

Click in the document window to display the picker. Then drag to select a color hue and shade.

Subsequently clicking in the document window, yous can release the pressed keys. Temporarily press the spacebar to maintain the selected shade while you select some other hue, or vice versa.

Photoshop HUD picker — Choosing colour with HUD picker

A. ShadeB. Hue

To instead select a color from the image, agree downwardly Alt (Windows) or Option (Mac OS) to access the Eyedropper tool.

Cull web‑rubber colors

The web‑prophylactic colors are the 216 colors used by browsers regardless of the platform. The browser changes all colors in the prototype to these colors when displaying the paradigm on an viii‑fleck screen. The 216 colors are a subset of the Mac OS 8‑bit colour palettes. By working only with these colors, you tin be certain that art you prepare for the web will not dither on a system set up to display 256 colors.

Select web‑safe colors in the Adobe Color Picker

Select the But Spider web Colors option in the lower left corner of the Adobe Color Picker. Whatsoever color you selection with this option selected is web‑safe.

Change a non‑web color to a web‑condom color

If you lot select a non‑web colour, an warning cube appears adjacent to the color rectangle in the Adobe Colour Picker.

Click the alert cube to select the closest spider web colour. (If no alert cube appears, the color you chose is web‑condom.)

Select a web‑safe color using the Colour panel

Click the Color panel tab, or choose Window > Color to view the Color panel.

Choose an choice for selecting a spider web‑condom colour:

Choose Make Ramp Web Safe from the Color panel menu. Whatsoever color you pick with this selection selected is web‑safety.
Choose Web Color Sliders from the Colour console menu. Past default, web color sliders snap to web‑safety colors (indicated by tick marks) when you drag them. To override spider web‑safety color selection, Alt-elevate (Windows) or Option-drag (Mac OS) the sliders.

If you choose a non‑web colour, an alert cube appears above the color ramp on the left side of the Color panel. Click the warning cube to select the closest web color.

Choose a CMYK equivalent for a not-printable color

Some colors in the RGB, HSB, and Lab colour models cannot be printed because they are out-of-gamut and take no equivalents in the CMYK model. When y'all choose a not-printable color in either the Adobe Color Picker or the Color console, a alert alert triangle appears. A swatch below the triangle displays the closest CMYK equivalent.

In the Color panel, the alarm triangle is not available if y'all are using Web Color Sliders.

To cull the closest CMYK equivalent, click the warning triangle in the Colour Picker dialog box or the Color panel.

Printable colors are determined by the current CMYK working space defined in the Colour Settings dialog box.

Choose a spot color

The Adobe Color Picker lets yous choose colors from the PANTONE MATCHING SYSTEM®, the Trumatch® Swatching System™, the Focoltone® Colour System, the Toyo Color Finder™ 1050 organization, the ANPA-Color™ system, the HKS® color system, and the DIC Color Guide.

To ensure that the concluding printed output is the color you want, consult your printer or service bureau and choose your colour based on a printed color swatch. Manufacturers recommend that you get a new swatch volume each year to compensate for fading inks and other damage.

Photoshop prints spot colors to CMYK (process color) plates in every image mode except Duotone. To print true spot color plates, create spot color channels.

Open the Adobe Color Picker, and click Color Libraries.

The Custom Colors dialog box displays the color closest to the color currently selected in the Adobe Color Picker.

For Volume, choose a color library. See below for descriptions of the color libraries.

Locate the colour you want past inbound the ink number or by dragging the triangles along the coil bar.

Click the desired color patch in the list.

Spot colour libraries

The Adobe Color Picker supports the following color systems:

ANPA-Color

Unremarkably used for newspaper applications. The ANPA-COLOR ROP Newspaper Color Ink Book contains samples of the ANPA colors.

DIC Color Guide

Normally used for press projects in Japan. For more than information, contact Dainippon Ink & Chemicals, Inc., in Tokyo, Japan.

FOCOLTONE

Consists of 763 CMYK colors. Focoltone colors help avoid prepress trapping and registration problems by showing the overprints that make up the colors. A swatch book with specifications for process and spot colors, overprint charts, and a scrap volume for marking upward layouts are available from Focoltone. For more information, contact Focoltone International, Ltd., in Stafford, United Kingdom.

HKS swatches

Used for printing projects in Europe. Each color has a specified CMYK equivalent. You can select from HKS E (for continuous stationery), HKS Grand (for gloss art paper), HKS Due north (for natural newspaper), and HKS Z (for newsprint). Colour samplers for each calibration are bachelor. HKS Procedure books and swatches accept been added to the color organization menu.

PANTONE®

Colors used for spot-color reproduction. The PANTONE MATCHING Arrangement can render i,114 colors. PANTONE color guides and chip books are printed on coated, uncoated, and matte paper stocks to ensure accurate visualization of the printed result and better on-press control. Y'all can impress a solid PANTONE color in CMYK. To compare a solid PANTONE color to its closest process color match, use the PANTONE solid to process guide. The CMYK screen tint percentages are printed under each color. For more data, contact Pantone, Inc., Carlstadt, NJ (www.pantone.com).

TOYO Color Finder 1050

Consists of more than than 1,000 colors based on the most common press inks used in Japan. The TOYO Process Colour Finder volume and swatches have been added to the colour system menu. The TOYO Color Finder 1050 Volume contains printed samples of Toyo colors and is available from printers and graphic arts supply stores. For more information, contact Toyo Ink Manufacturing Co., Ltd., in Tokyo, Japan.

TRUMATCH

Provides predictable CMYK color matching with more than than 2,000 achievable, figurer-generated colors. Trumatch colors cover the visible spectrum of the CMYK gamut in even steps. The Trumatch Color displays up to 40 tints and shades of each hue, each originally created in four-color process and each reproducible in four colors on electronic imagesetters. In addition, four-colour grays using different hues are included. For more information, contact Trumatch Inc., in New York City, New York.

Source: https://helpx.adobe.com/photoshop/using/choosing-colors.html

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